Monday, 9 February 2015

#jpgngv

After a disastrous first attempt at going to see Jean Paul Gaultier and the NGV (the hour-long line put me off so I went to David Shrigley instead, which was an extremely dissatisfying alternative), a friend convinced me that it was absolutely essential that I try and make it along. I'm very glad they did, because te exhibition was magnificent and definitely pulled me out of the funk I've been in for the last several days.
 I didn't get any decent pictures of the mannequins' faces - several of them had human faces projected over them, which talked or sang. They were very uncanny valley and definitely cool, although having several in close proximity with overlapping audio was a bit much.
While I generally hate exhibitions that add a bunch of bells and whistles and don't let the artworks speak for themselves*, in an exhibit where clothes and their inspiration were the artworks the NGV dd an excellent job. Each room was nicely tied to the different 'themes' and collections, especially the 'boudoir' section.
There's probably a lot to say about treatment of race and culture in Gaultier's work but I don't feel equipped to say it, especially not without doing an enormous amount of background reading first. I definitely would not trust the NGV the include that sort of critical commentary anywhere in its exhibition materials, especially after their lackluster response when I made a complaint about some racist/sexist commentary on one of the works in their permanent collection.
But anyway, now it is time to look at nice pictures of clothes!

Beautiful details, most of my photos of the Madonnas came out terribly but they were absolutely magnificent. The rich blue and yellow of the traditional Madonna is a really lovely combination and despite not being religious I am - as cliched as it may be - inspired by some Catholic imagery and the aesthetic of the Madonna. Especially the gothier of Gaultier's examples!

v. relevant to some of the things I've been thinking about re. articles shared or penned by Arabelle Sicardi and posts on tumblr about beautiful prostheses and just the intersection of beauty and disability theory in general. I don't have enough disability theory under my belt to opine on this piece at length but conceptually it was absolutely a standout. 

I love the concept of the male corsets and the fan design but wasn't aesthetically especially into any of the examples on display. There was another great example of the fan design a bit later - just quietly blowing my mind.


The punk room was everything

Don't dress for the dystopian capitalist police state you have, dress for the post-apocalyptic biker battle dystopia you want

I didn't think denim could ever look so cool? An outfit for inducing existential crises








#gpoy

This dress was really cool - the 'fabric' is all strips of film. The shoulder pads are the best.


See earlier point about the biker apocalypse. Maybe I just want Tank Girl? yes, that sound right.




This Russia-inspired dress was beautiful and I'm sad my pictures of it didn't turn out. The room it was in had terrible lighting for taking pictures on my phone :/





The other fan man corset - Spanish vibes.

#gpoy


Iconic
Stunning Madonna dress again. This is one of my favorite pictures that I took.
Basically I now want to bury myself in books about fashion theory and dust off my sewing machine. I'm so, so glad I went and so grateful to my friend for pushing me to go and my boyfriend for lending me the money. It was definitely worth the hour wait it took me to get through the door!

*This is something I get from my mother (hi Mum) and once you notice galleries doing it, it becomes the most annoying thing in the world (looking at you, Canberra art gallery with your super racist set up for Emily Kngwarreye and you, GOMA in Brisbane for putting cow wallpaper under Warhol's Electric Chairs)

Wednesday, 4 February 2015

Triumphant Women Dancing Alone On TV: An Evolution


1995: My So-Called Life, season 1 episode 17 'Betrayal'. Song: 'Blister in the Sun' by Weezer, 



2012: Girls, season 1 episode 3 'All Adventurous Women Do' Song: 'Dancing On My Own' by Robyn



2015: Broad City, season 2 episode 2 'Mochalatta Chills' Song: 'The Edge of Glory by Lady Gaga

Monday, 17 March 2014

Commission Info

My latest watercolour piece!

Just a quick update to say that I know have a set price list for commissions up on my tumblr, which you can find here: http://grandmastattoo.tumblr.com/commissioninfo

Details are as follows:
I work exclusively in traditional media and can work in pencil, marker, pen, watercolour and collage on request. If you wish to request a commission please email me at grandmastattoo@gmail.com with what you’d like and we can discuss payment details and delivery.
Sketch Prices
$10 head
$15 bust
$20 full body
Line Art Prices
$15 head
$20 bust
$25 full body
Full Colour Prices
$20 head
$25 bust
$30 full body
These prices are for a roughly A3-sized image and will be drawn on high quality illustration paper. Prices for other sized are negotiable with a minimum price of $5 for an A5 head sketch. I will also do work on canvas, with prices negotiable depending on the size of the canvas and relative cost.

Thursday, 2 January 2014

Ginger and Rosa


Sometimes I wish I could go back in time and, with the aid of hindsight, mould myself into the kind of teenager I now obsessively watch films about. I could make sure I fostered the right aesthetics and created myself in a sepia tinted world. I would have a narrower sense of perspective, resulting in less guilt and an ability to feel everything ten times more deeply than I ever did. I would experience the life-and-death feeling that teenage emotions are supposed to come with. I would go to parties and somehow make people think I was kissable. I wouldn't repress so much. I'd make friends outside of school, cool ones whose apathy was genuine and not just attitude, a front. I'd think more deeply and analyse more but still be over-dramatic and self-absorbed. I'd be a teenager worth making films about and not someone I'm bored by as an adult.

Tuesday, 31 December 2013

2014

Resolutions for the New Year
(being very basic but with a lot riding on them and a good deal flowing underneath)
1) Work hard.
(don't give up on projects or neglect to start them. don't let anxiety - that black, dead star lodged over your heart - stop you from doing what you need to do. remember that your survival depends on your work ethic. you create your own stresses and hold yourself back. don't look down on doing it for the money)
2) Be kind to yourself.
(make appointments. keep them. follow up and follow through. a confirmation of nothing wrong is better than not being sure. pain has a source. it's wise to have contingencies. the anxiety isn't clinical or pathological, but the depression might be)

This will be a good year. That is my resolution.

Monday, 9 December 2013

Girl Anachronism: A Brief History of My 21st Birthday

This post is long overdue, but finally the right mood hit. I was meant to write about seeing Amanda Palmer in September, then about turning 21 barely two weeks afterwards. After the Palmer show I missed the perfect time frame to write everything, when it was still all fresh, and I couldn't bring myself to write it without that euphoric clarity. Then I decided to combine the concert post with my birthday post, but when I got back there was an essay to write, and then another, and so things were neglected. But now, here, at almost 3am and over two months later, I've found the perfect state to finally write this blog.

I will start, chronologically, with the concert.

It was Amanda Palmer's rescheduled tour with the Grand Theft Orchestra. My friend G and I booked out tickets in I think September last year, when Amanda was due to play at the beginning of this year. Then illness hit her life, and the tour was postponed. It slipped almost entirely from my mind. Somehow I lacked the enthusiasm I'd had when I first saw Amanda Palmer, in 2011, at the tail end of my very first week of college.

Before I had developed what I can only call a obsession with Amanda Palmer, I had intended to study psychology. I made the decision at the age of twelve or thirteen, with the knowledge in my mind that, while an area I remain deeply fascinated by, it was merely to be a source of income until my writing career took off. I maintained this conviction until a few months after I had finished high school. I was taking a gap year in isolation, living on the country property in New South Wales that my family had moved to after fifteen years in Brisbane. We were fifteen minutes from the nearest - tiny - town, up a dirt track, with no visible neighbours. I could not drive, and knew no one. I took one subject a semester at the local university to pass the time, and when I was not studying, I watched television. I read Amanda Palmer and Neil Gaiman's blogs religiously, and immersed myself in their work. I taught myself to write comic book scripts from the sample given in the back of a Sandman comic, and lost a concerning amount of weight in days spent hunched over a notebook, forgetting meals and surviving mostly on plunger coffee and tea. Through the influence of my Holy Duo I realised that I didn't want to spend years studying and then practicing in a field while waiting for success. When I got to university, I chose creative writing as my major. I found a renewed conviction - a seemingly rare thing for a student my age in the first year of their degree.

Mum purchased me two tickets to the Amanda Palmer concert taking place in my first week in a new city, very far from home. The second was to make friends with, she said. The girl I went with has been my housemate since February this year. Things worked out.

Facing the prospect of seeing Amanda again (I saw her in two small performances at my university, in first and second year, but a full-scale concert was quite another thing), I saw my lack of enthusiasm as a signifier of a new importance to my relationship with my idol. Her music was changing, the Theater is Evil record a poppy departure from the puck cabaret music I fell in love with. I was changing too, had changed, sometimes with Amanda's influence, but largely without it. I'd fully come to terms with my bisexuality, something I repressed for years. I got my first boyfriend (and have managed to keep him). I had new friends, and stronger friends, and had let go of a lot of old ones. I had new powers, new knowledge. My understanding of myself and my self-confidence had improved immeasurably. I'd been through the worst year of my life, followed by the worst month.

I decided that this concert would be my farewell to Amanda Palmer. I felt I was able to let go of what she had been to me, and move on. Not forget, or cut myself off from, but to acknowledge a milestone of personal growth.

And then I got to the concert, and all that heavy, mournful bullshit disappeared.

I went with my friend G, her boyfriend J and friend R, and my boyfriend K. I'd convinced K to come along because I wanted him to be a part of something that was important to me. Music is easier to share with him than comic books or art, and Amanda Palmer is more important than most things in my life. G is an incredibly close friend, and her love for the Holy Duo quickly overtook mine (I manage to not be too possessive). J had been at the concert in 2011, before we ever met. Now I think I can probably call him a good friend. Life has symmetry.

The support acts were everything I could want. Amanda Palmer made several costume changes, appearing on stage between acts. Then Meow Meow introduced the Grand Theft Orchestra and they launched from their instrumental opener into Nirvana's "Smells Like Teen Spirit". Nirvana was a big band for K as a teenager, and everything was perfect.

I cried several times, because I'm a leaky faucet these days. I tried very hard not to cry when I took a flower from the beautiful human statue who performed outside the venue. I cried during The Bed Song, and during the cover song they performed during which all the lights were turned off and the audience held hands, chanting "I love you so much". I cry now remembering that moment for its sheer beauty and the way we were all connected. I hope it is a moment that I shall never forget.

 I yelled along to the lyrics of almost every song. I jumped and danced and tried not to hit anyone with my flailing elbows.They performed "Common People" by Pulp and I could barely contain myself. It was an incredible concert, made perfect by the fact that I was there with people I love, who are infinitely important to me. Amanda Palmer remains part of my life, and I shall not let her go.

I cannot recall if it was one or two weeks later, but not long after the concert was my 21st birthday party. It was at my parents' place in New South Wales, a trip which takes approximately ten hours from Melbourne through a combination of bus and train. I have been assured the flight to Taiwan is faster and, no doubt, more comfortable.

I have a tradition of panicking about birthdays. I have a tendency to fear change which can lead to me having an increased amount of responsibility. There are certain pressures I do not cope well with. Milestone birthdays especially do not tend to sit well with me. This time, however, I was even excited.

Family members I have not seen in a very long time traveled long distances. A good many of my Melbourne friends made the long, long trip with me, staying for a week in the guest house (a spruced-up shed) to attend my party. One friend, who I had grown up with in Brisbane and was at least a little like a younger sister to me, traveled the longest to be there. At the fullest point there were I believe twelve of us sleeping on scattered mattresses across the floor of the shed, with thirty-odd guests on the property in total.

I got too drunk at my party, compensating for the stress of spending a week of endless interaction with a large group of people, including relatives with whom I was unable to completely relax. There was a lamb on the spit and a sky full of stars. My brother's band played for several hours, tacking on near the end of their set a rushed cover of a Neutral Milk Hotel song, the words for which they couldn't remember and couldn't read in the darkness. My cousin performed a rendition of 'What Does the Fox Say?' titled 'What Does Bonny Ross Say?', the lyrics to which she and my other cousins hurriedly cobbled together in the living room. My father gave a speech and, much later in the evening, performed 'The Jabberwocky', something he used to do for us frequently as children. K tried to dance with me while we were both quite drunk and we end up falling flat on our arses on the gravel. I had an oyster cooked over open flames, and it was not as repulsive as the last one I'd had before that. I gave a drunken speech and somehow managed not to cry. I danced with my friends My parents danced together, spinning slowly in the dark.

Most importantly of all, I spent the week overwhelmed with love. I still find it difficult to comprehend that I have so many friends who care about me enough to travel that distance and stay that long, just for me. I'm not sure I deserve it. J's birthday is the day before mine, and he spent it there (I made sure he was compensated with pancakes). Most of my friends are at least a little shy, and they all managed a week-long procession of my various family members, as well as the tribulations that come with having a thirteen year old boy (a cousin) around a group of - well, technically speaking, adults. While I know exactly the ones that will roll their eyes at my use of the term, I do feel enormously blessed. I truly don't know how I've managed it, and I wish I were able to show them how much I love them all, and how much I appreciate them.

Many important things occurred this year. Each year, the important things get greater. Moments get bigger, emotions get deeper. That is what it means to get older - the moments that are important have greater resonance, like ever-expanding ripples. Every year, while there are new stresses, there are also new aspects of beauty, new people who become important, new things to do and explore. And I try to be grateful, and remind myself what it all means.

Me at seventeen: